Collage, painting and glazing on linoleum mounted on a wooden structure
200x150cm Photo credits: João Neves. Balcony Art Gallery courtesy
Plan Américain, 2023
Exhibition View at Balcony Contemporary Art Gallery
Photo credits: João Neves. Balcony Art Gallery courtesy
Personal Data #1, 2023
Painting on wooden cardboard, white aluminum frame and museum glass
105x75cm Photo credits: João Neves. Balcony Art Gallery courtesy
Personal Data #2, 2023
Painting on wooden cardboard, white aluminum frame and museum glass
105x75cm Photo credits: João Neves. Balcony Art Gallery courtesy
Punch card / Cartão Perfurado, 2021 / 2023
Painted card on frame intervened with museum glass
85x122cm Photo credits: João Neves. Balcony Art Gallery courtesy
Verdes anos (Evinel / Desenhos preparatórios #2), 2022
Collage on painted wooden board
75x105cm Photo credits: João Neves. Balcony Art Gallery courtesy/p>
Verdes anos (Evinel / Desenhos preparatórios #1), 2022
Collage on painted wooden board
75x105cm Photo credits: João Neves. Balcony Art Gallery courtesy
Película / Plano Americano (dos verdes anos 1963), 2023
Ballpoint drawings on watercolor paper mounted in a black aluminum frame and translucent green plexiglass
212x30cm / 170x30cm Photo credits: João Neves. Balcony Art Gallery courtesy
Balcony (A propos de l'unité)
2022
Sculpture
03 Img
Balcony (A propos de l'unité)
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Balcony (A propos de l'unité), 2016-2022
Structure in polystyrene, cement and varnish paints, two bars of Marseille soap
75x250x6cm
Balcony (A propos de l'unité), 2016-2022
Structure in polystyrene, cement and varnish paints, two bars of Marseille soap
75x250x6cm
Balcony (A propos de l'unité), 2016-2022
Structure in polystyrene, cement and varnish paints, two bars of Marseille soap
75x250x6cm
Brasilia Drawings
2022
Painting / Drawing
03 Img
Brasilia Drawings
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Brasilia Drawings, 2022
Charcoal and graphite on cotton paper
Variable dimensions
Brasilia Drawings, 2022
Charcoal and graphite on cotton paper
Variable dimensions
Brasilia Drawings, 2022
Charcoal and graphite on cotton paper
Variable dimensions
Gaveta(s)
2021
Installation Site Specific, Painting / Drawing, Sculpture
02 Img
Gaveta(s)
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Gaveta(s), 2021
Match boxes, acrylic paint, bedside table
The Bedside table project, variable dimensions
Gaveta(s), 2021
Match boxes, acrylic paint, bedside table
The Bedside table project, variable dimensions
Weissenhof Sidelung
2020
Painting / Drawing
03 Img
Weissenhof Sidelung
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Weissenhof Sidelung, 2020
Charcoal, graphite and color pencil on cotton paper
Variable dimensions
Weissenhof Sidelung, 2020
Charcoal, graphite and color pencil on cotton paper
Variable dimensions
Weissenhof Sidelung, 2020
Charcoal, graphite and color pencil on cotton paper
Variable dimensions
Sexo, escondidas e uma parede
2019
Painting / Drawing, Sculpture, Exhibition Views
22 Img
Sexo, Escondidas e uma Parede
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Sexo, escondidas e uma parede, 2019
Exhibition View at Filomena Soares Art Gallery
Sexo, escondidas e uma parede, 2019
Exhibition View at Filomena Soares Art Gallery
Postcard, (from Japan) #2, 2019
Watercolour, tempera and graphite over cardboard paper
105x75cm
Postcard, (from Japan) #2, 2019
Watercolour, tempera and graphite over cardboard paper
105x75cm
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Diabolos, 2016-2019
Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights
Dimensions vary with the installation
Sexo, escondidas e uma parede, 2019
Exhibition View at Filomena Soares Art Gallery
Caixa Vermelha (Acesso Restrito), 2004
Metal box, acrylic paint and vinyl print
Variable dimensions
Sexo, escondidas e uma parede, 2019
Exhibition View at Filomena Soares Art Gallery
Sexo, escondidas e uma parede, 2019
Exhibition View at Filomena Soares Art Gallery
Entre quatro paredes, 2019
Watercolour, tempera and graphite over cardboard paper
75cmx52,5cm
Entre quatro paredes, 2019
Watercolour, tempera and graphite over cardboard paper
75cmx52,5cm
Transfer, 2018
Site-specific installation, wood, plastic, styrofoam, pigment, varnishes, paint, lighting device (tripod, lamp and electric wire).
Variable dimensions
Transfer, 2018
Site-specific installation, wood, plastic, styrofoam, pigment, varnishes, paint, lighting device (tripod, lamp and electric wire).
Variable dimensions
Stripes
2019
Painting / Drawing, Collage
09 Img
Stripes
Close
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Stripes, 2019
Acrylic paint and varnishes on papel, wood frame
Variable dimensions
Framing, (Between four walls #2)
2019
Painting / Drawing
04 Img
Framing, (Between four walls #2)
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Framing, (Between four walls #2), 2019
24 watercolour paintings on cardboard and paper, painted pins placed over painted, aged and sunburnt cork, painted wood frame, ink and varnish
202x220x10cm
Framing, (Between four walls #2), 2019
Watercolour paintings on cardboard and paper
42x29.7cm (each one)
Framing, (Between four walls #2), 2019
Watercolour paintings on cardboard and paper
42x29.7cm (each one)
Framing, (Between four walls #2), 2019
Watercolour paintings on cardboard and paper
42x29.7cm (each one)
Tin Can Complex
2019
Collage, Sculpture
01 Img
Tin Can Complex
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Tin Can Complex, 2018
Concrete, cardboard, acrylic paint, wood and cans
100x80x12cm
Corollary of Phenomena (Searching for a Place)
2018
Painting / Drawing, Collage
03 Img
Corollary of Phenomena (Searching for a Place)
Close
Aligning the coordinates (general archive), 2018
From the series Searching for Utopia, photographic print, photocopies, drawings, labels, metallic pegs on wood and acrylic frame
180x120x8cm
Corollary of phenomena (Searching for a place), 2018
Drawings, metallic pegs, wood, acrilic, paint and varnishes
245x155x9cm
Corollary of phenomena (Searching for a place), 2018
Drawings, metallic pegs, wood, acrilic, paint and varnishes
245x155x9cm
Untitled
2017
Collage
03 Img
Untitled
Close
Searching for Utopia (Brasília//Chandigarh), 2017
From the series Searching for Utopia, photographic print on foam board, stamp and oak frame
110x84x5cm
À l'importation, (Chandigarh Revisited), 2017
From the series Searching for Utopia, photographic print of images of chairs designed by Pierre Jeanneret for Chandigarh collected during 3 years, DHL Chandigarh business card, stamp
and oak frame
84x70x5cm
Online Market, (Brasília Revisited), 2017
From the series Searching for Utopia, photographic print of images showing parts of the Volkswagen Brasilia on sale via internet and collected during 3 years in an effort to
reconstruct the car, stamp and oak frame
84x185x5cm
Untitled
2017
Collage
03 Img
Untitled
Close
Untitled (Traces captured at the Studio-Apartment Le Corbusier), 2017
From the series Searching for Utopia. Photographic print, wood frame and hand- painted acrylic
248x90x8cm
Untitled (Traces captured in Maison La Roche), 2017
From the series Searching for Utopia Photographic print, wood frame and hand-painted acrylic
120x136x8cm
Untitled (Traces captured in Villa Savoye), 2017
From the series Searching for Utopia. Photographic print, wood frame and hand-painted acrylic
220x90x8cm
Platform #1 (Model for a Cathedral)
2016
Sculpture
02 Img
Platform #1 (Model for a Cathedral)
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Platform #1 (Model for a Cathedral), 2017
Wood, cement, metal structure, plastic and paint
120x75x100cm
Platform #1 (Model for a Cathedral), 2017
Wood, cement, metal structure, plastic and paint
120x75x100cm
Esplanada: Utopia on the Plateau and an Indian Brasilia
2016
Sculpture
40 Img
Esplanada: Utopia on the Plateau and an Indian Brasilia
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Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Compulsory course for a construction: Counterpoint (Observatory #3), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
550x80x50cm
Compulsory course for a construction: Counterpoint (Observatory #3), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
550x80x50cm
Compulsory course for a construction: Counterpoint (Observatory #2), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
790x60x150cm
Compulsory course for a construction: Counterpoint (Observatory #2), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
790x60x150cm
Compulsory course for a construction (Observatory #1), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
600x100x125cm
Compulsory course for a construction (Observatory #1), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
600x100x125cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Promenade (in absence of a place), (Observatory #6), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings
400x75x60cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Archive (Approximations and Processes without an apparent logic #1), 2013-2015
Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted
wood, acrylic glass
119x52x39cm
Archive (Approximations and Processes without an apparent logic #1), 2013-2015
Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted
wood, acrylic glass
119x52x39cm
Archive (Approximations and Processes without an apparent logic #1), 2013-2015
Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted
wood, acrylic glass
119x52x39cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Cerimonial (Observatory #4), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood and gold-leaf
191x295x10cm
Cerimonial (Observatory #4), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood and gold-leaf
191x295x10cm
Cobogo for climbing (Observatory #5), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood
350x50x5cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Stairs that become a ramp and ramp that becomes useless stairs: trap door (Observatory #8), From the series “Dissociative processes and complex approaches for any city in state of
entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
295x10x191cm
Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16
Dyed wood, articulated fittings
476x150cm
Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16
Dyed wood, articulated fittings
476x150cm
Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16
Dyed wood, articulated fittings
476x150cm
Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16
Dyed wood, articulated fittings
476x150cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Caterpillar (Observatory #11), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings
50x30x74cm
Caterpillar (Observatory #11), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings
50x30x74cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
240x180x8cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
240x180x8cm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Compulsory course for a construction: adaptable boards (Observatory #12), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and inox
247x48x71cmm
Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016
Exhibition view at Filomena Soares Art Gallery
Parasitic (Observatory #10), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
626x30x40cm
Parasitic (Observatory #10), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016
Dyed wood, articulated fittings and mirrors
626x30x40cm
Inventory (Planned Cities), 2009-2015
Print vector drawing mounted on Fine Art paper, written text, metal rings kit, wood frame and acrylic glass
75x276x12cm
Inventory (Planned Cities), 2009-2015
Print vector drawing mounted on Fine Art paper, written text, metal rings kit, wood frame and acrylic glass
75x276x12cm
Inventory (Planned Cities), 2009-2015
Print vector drawing mounted on Fine Art paper, written text, metal rings kit, wood frame and acrylic glass
75x276x12cm
De la ville à la villa - Chandigarh Revisited
2016
Installation Site Specific, Painting / Drawing, Collage, Exhibition Views
05 Img
De la ville à la villa - Chandigarh Revisited
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Spacial Directory (Tapisserie de la Grande Cour au Palais de Justice de Chandigarh, 1954, Le Corbusier), 2012-2016
Felt on acrylic frame
92x92x8cm
Archive (Approximations and Processes without an apparent logic #1), 2013-2015
Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted
wood, acrylic glass
119x52x39cm
Archive (Approximations and Processes without an apparent logic #1), 2013-2015
Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted
wood, acrylic glass
119x52x39cm
Archive (Approximations and Processes without an apparent logic #1), 2013-2015
Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted
wood, acrylic glass
119x52x39cm
Archive (Approximations and Processes without an apparent logic #1), 2013-2015
Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted
wood, acrylic glass
119x52x39cm
Generatrix Axiom
2015
Sculpture
04 Img
Generatrix Axiom
Close
Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) nr2, 2014-2015
Foam, cement, polyurethane, glue and varnish
90x90x50cm
Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) nr3, 2014-2015
Styrofoam with cement, glue, plaster, paint and varnish
107x60x20cm
Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) no1, 2014-2015
Tarmac, gold leaf, varnish and support
107x60x20cm
Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) no4, 2014-2015
Styrofoam with cement, glue, plaster, paint and varnish
100x40x10cm
Square (Tangram)
2015
Sculpture
02 Img
Square (Tangram)
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Square (Tangram), 2014-2015
Acrylic painting on wooden tangram board placed on street market table
170x85x88cm
Square (Tangram), 2014-2015
Acrylic painting on wooden tangram board placed on street market table
170x85x88cm
Uma cidade sem estado de entropia
2015
Sculpture
03 Img
Uma cidade sem estado de entropia
Close
Drainage, 2015
Wood, foam and varnish
55x200x200cm
Drainage (detail), 2015
Wood, foam and varnish
55x200x200cm
Terrace, 2015
Wood, cardboard, cement, polyurethane foam and paint
40x170x100cm
Unité Ship
2015
Sculpture
05 Img
Unité Ship
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Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
120x240x80cm
Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
120x240x80cm
Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
120x240x80cm
Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
120x240x80cm
Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
120x240x80cm
Dismantled
2015
Sculpture
03 Img
Dismantled
Close
Dismantled #1 (précisions sur un état present de l'architecture et de l'urbanisme), 2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
90x80x128cm
Dismantled #2 (précisions sur un état present de l'architecture et de l'urbanisme), 2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
90x80x140cm
Dismantled #1 and #2 (précisions sur un état present de l'architecture et de l'urbanisme), 2015
Wood, cardboard, cement, polyurethane foam, plexiglass and paint
90x80x128cm and 90x80x140cm
Seeking Utopia
2015
Photography / Video, Exhibition Views
09 Img
Seeking Utopia
Close
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm and 240x180x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
240x180x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm
Seeking Utopia (current state), 2014-2015
Photo printed on fine art paper, PVC, painted plexiglass and wooden frame
200x133x8cm
Condomínio Campaínhas
2015
Collage
04 Img
Condomínio Campaínhas
Close
Condominium #6 (Story of a common place or the narrative of a given building), 2015
Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame
192x143x8cm
Condominium #4 (Story of a common place or the narrative of a given building), 2015
Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame
197x145x8cm
Condominium #5 (Story of a common place or the narrative of a given building), 2015
Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame
197x145x8cm
Condominium #3 (Story of a common place or the narrative of a given building), 2015
Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame
197x145x8cm
Afloat
2015
Installation Site Specific, Sculpture, Public Space
07 Img
Afloat
Close
Afloat, 2015
Basalt
Installation view, Walk & Talk, Azores, 210x80x15cm
Afloat, 2015
Basalt
Installation view, Walk & Talk, Azores, 210x80x15cm
Afloat, 2015
Basalt
Installation view, Walk & Talk, Azores, 210x80x15cm
Afloat, 2015
Basalt
Installation view, Walk & Talk, Azores, 210x80x15cm
Afloat, 2015
Basalt
Installation view, Walk & Talk, Azores, 210x80x15cm
Afloat, 2015
Basalt
Installation view, Walk & Talk, Azores, 210x80x15cm
Afloat, 2015
Basalt
Installation view, Walk & Talk, Azores, 210x80x15cm
Tramas
2014
Painting / Drawing
10 Img
Tramas
Close
Tramas (detail), 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Tramas, 2011-2014
Metallic mesh, aluminium, enamel paint
190x130x5cm
Ninguém podia dormir na rede porque a casa não tinha parede - estufa almada
2013
Installation Site Specific, Public Space
04 Img
Ninguém podia dormir na rede porque a casa não tinha parede - estufa almada
Close
Ninguém podia dormir na rede porque a casa não tinha parede (Transposições geográficas), 2013
Installation Site Specific, Public Space, Exhibition Views
09 Img
Sem degraus à sombra
Close
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
Sem degraus À sombra, 2011
Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of
“scaffolding” printed in various colors network
Dimensions vary with the installation
The relative size of things in the universe and the effect of adding another zero (spacial directory)
2013
Sculpture
02 Img
The relative size of things in the universe and the effect of adding another zero (spacial directory)
Close
“The relative size of things in the universe and the effect of adding another zero” (spacial directory), 2013
Wooden frame and painted plexiglass
273x180x12cm
“The relative size of things in the universe and the effect of adding another zero” (spacial directory), 2013
Wooden frame and painted plexiglass
200x180x12cm
The relative size of things in the universe and the effect of adding another zero
2013
Installation Site Specific, Painting / Drawing, Exhibition Views
20 Img
The relative size of things in the universe and the effect of adding another zero
Close
The relative size of things in the Universe and the effect of adding another zero, 2013
CAPC Coimbra, Exhibition View
The relative size of things in the Universe and the effect of adding another zero, 2013
CAPC Coimbra, Exhibition View
Avril au Portugal, 2008
Remix composed with 65 diferent versions of the music “Abril em Portugal” Sound instalation devices, CD 8'15", loop
The gap [between Civilization and Culture], 2006-2013
Expanded site-specific version, Cut vinyl words fixed on windows
Dimensions vary with instalation
The gap [between Civilization and Culture], 2006-2013
Expanded site-specific version, Cut vinyl words fixed on windows
Dimensions vary with instalation
The gap [between Civilization and Culture], 2006-20131
Expanded site-specific version, Cut vinyl words fixed on windows
Dimensions vary with instalation
The relative size of things in the Universe and the effect of adding another zero, 2013
CAPC Coimbra, Exhibition View
Square (Monopoly), 2005-2011
Acrylic paint painting on cardboard, black wood frame
50x50x5cm
Nobody Could Sleep in the Hammock Because the House Has No Wall Block, 2012
Installation in two parts: Metalic information board and plexy glass, 100x117x29cm
Metal structure, coloured plastic fabric and iron steel structure dimensions,130x150x10cm
Nobody Could Sleep in the Hammock Because the House Has No Wall Block, 2012
Installation in two parts: Metalic information board and plexy glass, 100x117x29cm
Metal structure, coloured plastic fabric and iron steel structure dimensions,130x150x10cm
The gap [between Civilization and Culture], 2013
Detail of the studio models in their glass displays
The gap [between Civilization and Culture], 2013
Detail of the studio models in their glass displays
The gap [between Civilization and Culture], 2013
Detail of the studio models in their glass displays
The gap [between Civilization and Culture], 2013
Detail of the studio models in their glass displays
Ca(ho)uses, 2011
Match boxes, acrylic paint, wood structure and stretcher
Variable dimensions
Ca(ho)uses, 2011
Match boxes, acrylic paint, wood structure and stretcher
110x90x15cm
Ca(ho)uses (detail), 2011
Match boxes, acrylic paint, wood structure and stretcher
110x90x15cm
La Cité Radieuse, 2011
Match boxes, acrylic paint, wood structure and stretcher
170x260x35cm
Ca(ho)uses, 2011
Match boxes, acrylic paint, wood structure and stretcher
170x180x35cm
Ca(ho)uses, 2011
Match boxes, acrylic paint, wood structure and stretcher
Variable dimensions
Seaside Phalanstery and a few Villas facing the south
Seaside Phalanstery and a few Villas facing the south
Close
Seaside Phalanstery and a few Villas facing the south, 2012
Filomena Soares Art Gallery, Lisbon, Exhibition View
Seaside Phalanstery and a few Villas facing the south, 2012
Filomena Soares Art Gallery, Lisbon, Exhibition View
Seaside Phalanstery and a few Villas facing the south, 2012
Filomena Soares Art Gallery, Lisbon, Exhibition View
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Seaside Phalanstery and a few Villas facing the south, 2012
Filomena Soares Art Gallery, Lisbon, Exhibition View
Seaside Phalanstery and a few Villas facing the south, 2012
Filomena Soares Art Gallery, Lisbon, Exhibition View
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Spacial Directory,2012
Felt and cardboard on acrylic frame
Variable dimensions
Uma Pedra no Sapato, 2012, *A little stone inside the shoe/ A thorn in the side (in Portuguese and Brazilian culture that idiomatic expression means a problem to solve)
Marble, plastic flip flop strips
30x8cm (each one)
Uma Pedra no Sapato, 2012, *A little stone inside the shoe/ A thorn in the side (in Portuguese and Brazilian culture that idiomatic expression means a problem to solve)
Marble, plastic flip flop strips
30x8cm (each one)
Located Intervention (Einstein House 90º), (Einstein House, Caputh, Berlin, Germany), 2012
Intervention on appropriated image from Einstein's House Digital, Durst Lambda print framed on a wooden frame
Diptych: 94,5x73,5x7cm (each one)
Located Intervention (Einstein House 90º), (Einstein House, Caputh, Berlin, Germany), 2012
Intervention on appropriated image from Einstein's House Digital, Durst Lambda print framed on a wooden frame
Diptych: 94,5x73,5x7cm (each one)
Located Intervention (Einstein House 90º), (Einstein House, Caputh, Berlin, Germany), 2012
Intervention on appropriated image from Einstein's House Digital, Durst Lambda print framed on a wooden frame
Diptych: 94,5x73,5x7cm (each one)
¿Con Cuántas Piedras se Hace una Balsa?
2012
Sculpture
04 Img
¿Con Cuántas Piedras se Hace una Balsa?
Close
¿Con Cuántas Piedras se Hace una Balsa?, 2012
Installation view
Variable Dimensions
¿Con Cuántas Piedras se Hace una Balsa?, 2012
Installation view
Variable Dimensions
¿Con Cuántas Piedras se Hace una Balsa?, 2012
Installation view
Variable Dimensions
¿Con Cuántas Piedras se Hace una Balsa?, 2012
Installation view
Variable Dimensions
Under the sun
2012
Sculpture
02 Img
Under the sun
Close
Under the Sun, 2012-2014
Plaster and ink
Dimension variable
Under the Sun, 2012-2014
Plaster and ink
Dimension variable
Toros
2012
Painting / Drawing, Collage
04 Img
Toros
Close
Toros, 2012-2014
Installation View
Toros, 2012-2014
Burned matches on wooden board, varnish
200x185x5cm
Toros, 2012-2014
Burned matches on wooden board, varnish
200x185x5cm
Toros, 2012-2014
Burned matches on wooden board, varnish
200x185x5cm
On the other side of the world
2011
Painting / Drawing, Sculpture, Photography / Video
02 Img
Toros
Close
On the other side of the World, 2011
From Garimpos (Geostrategical Position) series, Photography
115x122x6cm
Garimpos (Geostrategical position), 2011
Acrylic and gold leaf on a collected piece of wood
Dimensions and number of pieces vary with installation, 79x64x10cm (each one)
Wooden frame, drawing sunburned on cork, colored pushpins, glass and lock
120x87x8cm
From work to text
2010
Collage
04 Img
From work to text
Close
From Work To Text, 2008-2011
Collage on fabriano paper, acrylic resin
Variable Dimensions
From Work To Text, 2008-2011
Collage on fabriano paper, acrylic resin
Variable Dimensions
From Work To Text, 2008-2011
Collage on fabriano paper, acrylic resin
Variable Dimensions
From Work To Text, 2008-2011
Collage on fabriano paper, acrylic resin
Variable Dimensions
We cannot escape from each other
2010
Installation Site Specific, Public Space
02 Img
We cannot escape from each other
Close
WE CANNOT ESCAPE FROM EACH OTHER, 2010
Mirrored acrylic engraved with bas-relief with inscriptions and filled with epoxy resin and dyes, electric installation
Site-specific installation view at Lux, Lisbon, 1500x300x8cm
WE CANNOT ESCAPE FROM EACH OTHER, 2010
Mirrored acrylic engraved with bas-relief with inscriptions and filled with epoxy resin and dyes, electric installation
Site-specific installation view at Lux, Lisbon, 1500x300x8cm
Border Zone [Geostrategical Positions]
2010
Installation Site Specific, Public Space
03 Img
Border Zone [Geostrategical Positions]
Close
Border Zone [Geostrategical Positions], 2010
Painting on a trailer
300x240x290cm
Border Zone [Geostrategical Positions], 2010
Painting on a trailer
300x240x290cm
Border Zone [Geostrategical Positions] (detail), 2010
Painting on a trailer
300x240x290cm
(Im)perfect Territories
2010
Installation Site Specific, Public Space
05 Img
(Im)perfect Territories
Close
(Im)perfect Territories, 2010
Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel
Dimensions vary with the installation
(Im)perfect Territories, 2010
Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel
Dimensions vary with the installation
(Im)perfect Territories, 2010
Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel
Dimensions vary with the installation
(Im)perfect Territories, 2010
Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel
Dimensions vary with the installation
(Im)perfect Territories, 2010
Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel
Dimensions vary with the installation
Tatlin's Monument in a palatial kitchen
2009
Installation Views, Photography / Video
02 Img
Tatlin's Monument in a palatial kitchen
Close
Tatlin's Monument in a palatial kitchen, 2010 (From the series Utopia at everyones house)
Photographic print on a light box
202x122x20cm
Tatlin's Monument in a palatial kitchen, 2010 (From the series Utopia at everyones house)
Photographic print on a light box
202x122x20cm
Today & Now
2009
Sculpture
03 Img
Today & Now
Close
Today & Now, 2009
ART TODAY (Phaidon) and ARTNOW (Taschen) transformed into diamond shapped confetti
Dimensions vary with installation
Today & Now, 2009
ART TODAY (Phaidon) and ARTNOW (Taschen) transformed into diamond shapped confetti
Dimensions vary with installation
Today & Now, 2009
ART TODAY (Phaidon) and ARTNOW (Taschen) transformed into diamond shapped confetti
Dimensions vary with installation
FACADES (GEOMETRIC DRAWING)
2009
Painting / Drawing
04 Img
FACADES (GEOMETRIC DRAWING)
Close
Facade #9 (black grid series), 2009
Print, cut and collage on k-line and mirror, black wood frame
140x175cm
Facade #1, 2008
Print, cut and collage on k-line and mirror, silver frame
196x146cm
Facade #3, 2008
Print, cut and collage on k-line and mirror, silver frame
196x146cm
Facade #4, 2008
Print, cut and collage on k-line and mirror, silver frame
196x146cm
STP Extension
2008
Installation Site Specific, Public Space
09 Img
STP Extension
Close
STP Extension, 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension, 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension, 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension, 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension, 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension (detail), 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension (detail), 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension (detail), 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
STP Extension (detail), 2008
Pre-existing garden shed altered with painted wood and electric lights
Variable dimensions
On spilt milk
2008
Installation Site Specific, Painting / Drawing, Public Space
05 Img
On spilt milk
Close
Complex Constructions(Geography of the House), 2009
Drawing printed on photoluminescent emergency plan board
Variable dimensions
Complex Constructions(Geography of the House), 2009
Drawing printed on photoluminescent emergency plan board
Variable dimensions
Complex Constructions(Geography of the House), 2009
Drawing printed on photoluminescent emergency plan board
Variable dimensions
Complex Constructions(Geography of the House), 2009
Drawing printed on photoluminescent emergency plan board
Variable dimensions
Complex Constructions(Geography of the House), 2009
Drawing printed on photoluminescent emergency plan board
Variable dimensions
Space to Fill
2007
Painting / Drawing, Collage
09 Img
Space to Fill
Close
Space to fill, 2007
Exhibition View
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Space to fill, 2007
Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an
imaginary geography
Dimensions and materials variable according to each photography
Xerox Print (DIN)
2007
Photography / Video
02 Img
Xerox Print (DIN)
Close
Xerox print (DIN), 2007
Exhibition View
Xerox print (DIN), 2007
Print on paper in white wood frame
118,9x84,1x5cm
Metro
2007
Photography / Video
01 Img
Metro
Close
Metro, 2007
Meter containing a meter, print on paper in white wood frame
118,9x40,1x5cm
Complex Constructions [Geography of the House]
2007
Painting / Drawing, Exhibition Views
08 Img
Complex Constructions [Geography of the House]
Close
Complex Constructions(Geography of the House), 2007
Exhibition view
Complex Constructions(Geography of the House), 2007
Exhibition view
Complex Constructions(Geography of the House), 2007
Drawing printed on photoluminescent emergency plan board
90x60cm/60x40cm/40x30cm
Complex Constructions(Geography of the House), 2007
Drawing printed on photoluminescent emergency plan board
90x60cm/60x40cm/40x30cm
Complex Constructions(Geography of the House), 2007
Drawing printed on photoluminescent emergency plan board
90x60cm/60x40cm/40x30cm
Complex Constructions(Geography of the House), 2007
Drawing printed on photoluminescent emergency plan board
90x60cm/60x40cm/40x30cm
Complex Constructions(Geography of the House), 2007
Drawing printed on photoluminescent emergency plan board
90x60cm/60x40cm/40x30cm
Complex Constructions(Geography of the House), 2007
Drawing printed on photoluminescent emergency plan board
90x60cm/60x40cm/40x30cm
We could be in this together
2007
Sculpture
03 Img
We could be in this together
Close
We could be in this together, 2007
Stainless steel lock with engravings
Height of the artist, 175cm
We could be in this together (detail), 2007
Stainless steel lock with engravings
Height of the artist, 175cm
We could be in this together (detail), 2007
Stainless steel lock with engravings
Height of the artist, 175cm
We are in this together
2007
Sculpture
01 Img
We are in this together
Close
We are in this together, 2007
18-carat gold wedding bands with engraving (13,1 g)
4,2x2,3x0,5cm
Eurobuzz
2007
Installation Site Specific, Public Space
05 Img
Eurobuzz
Close
Eurobuzz, 2007
Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars
Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses
Eurobuzz, 2007
Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars
Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses
Eurobuzz, 2007
Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars
Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses
Eurobuzz, 2007
Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars
Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses
Eurobuzz, 2007
Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars
Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses
Absent Places [Drought]
2007
Installation Site Specific, Sculpture
04 Img
Absent Places [Drought]
Close
Absent Places [Drought], 2007
Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard
300x300x140cm
Absent Places [Drought], 2007
Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard
300x300x140cm
Absent Places [Drought], 2007
Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard
300x300x140cm
Absent Places [Drought] (detail), 2007
Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard
300x300x140cm
Metropolis
2007
Sculpture
05 Img
Metropolis
Close
Metropolis, 2006-2007
Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular
construction)
230x210x220 (composed of 6 mobile, articulating parts)
Metropolis (detail), 2006-2007
Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular
construction)
230x210x220 (composed of 6 mobile, articulating parts)
Metropolis, 2006-2007
Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular
construction)
230x210x220 (composed of 6 mobile, articulating parts)
Metropolis, 2006-2007
Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular
construction)
230x210x220 (composed of 6 mobile, articulating parts)
Metropolis (detail), 2006-2007
Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular
construction)
230x210x220 (composed of 6 mobile, articulating parts)
Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering
its shape through time. Composed by 6 mobile parts
Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering
its shape through time. Composed by 6 mobile parts
Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering
its shape through time. Composed by 6 mobile parts
Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering
its shape through time. Composed by 6 mobile parts
Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering
its shape through time. Composed by 6 mobile parts
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating
a Mediterranean folk fiesta
Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m
Collapse
2005
Installation Site Specific, Sculpture
05 Img
Collapse
Close
Collapse, (inflammable sculpture #2), 2005
Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support
200x100x120cm
Collapse, (inflammable sculpture #2), 2005
Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support
200x100x120cm
Collapse, (inflammable sculpture #2), 2005
Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support
200x100x120cm
Collapse, (inflammable sculpture #2), 2005
Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support
200x100x120cm
Collapse, (inflammable sculpture #2), 2005
Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support
200x100x120cm
Embargo
2005
Installation Site Specific, Sculpture
08 Img
Embargo
Close
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Rescue
2005
Photography / Video
14 Img
Rescue
Close
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Embargo, (Clandestine 1#2#3#4), 2005
Installation formed by 4 sculptures, wood and cardboard
Dimensions vary with the installation
Perigo Eminente
2004
Installation Site Specific, Sculpture
05 Img
Perigo Eminente
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Perigo Eminente, 2005
Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support
200x100x120cm
Perigo Eminente, 2005
Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support
200x100x120cm
Perigo Eminente, 2005
Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support
200x100x120cm
Perigo Eminente, 2005
Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support
200x100x120cm
Perigo Eminente (detail), 2005
Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support
200x100x120cm
Warehouse [Restricted Access]
2004
Installation Site Specific, Sculpture
04 Img
Warehouse [Restricted Access]
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Warehouse [Restricted access], 2003
Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls
Installation at Filomena Soares art gallery, variable dimensions
Warehouse [Restricted access], 2003
Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls
Installation at Filomena Soares art gallery, variable dimensions
Warehouse [Restricted access], 2003
Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls
Installation at Filomena Soares art gallery, variable dimensions
Warehouse [Restricted access], 2003
Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls
Installation at Filomena Soares art gallery, variable dimensions
Portico
2003
Installation Site Specific, Public Space
03 Img
Portico
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Portico, 2003
Aluminium letters displayed on the facade of the entrance to the car park, modified lighting
5th edition of Maia Biennal, variable dimensions
Portico, 2003
Aluminium letters displayed on the facade of the entrance to the car park, modified lighting
5th edition of Maia Biennal, variable dimensions
Portico, 2003
Aluminium letters displayed on the facade of the entrance to the car park, modified lighting