Plan Américain, 2023

Exhibition View at Balcony Contemporary Art Gallery

Photo credits: João Neves. Balcony Art Gallery courtesy

Plan Américain, 2023

Exhibition View at Balcony Contemporary Art Gallery

Photo credits: João Neves. Balcony Art Gallery courtesy

Prumada Parasitária, 2023

Installation Site Specific, Plastic tubes and electronic equipment

Variable dimensions
Photo credits: João Neves. Balcony Art Gallery courtesy

Prumada Parasitária, 2023

Installation Site Specific, Plastic tubes and electronic equipment

Variable dimensions
Photo credits: João Neves. Balcony Art Gallery courtesy

Prumada Parasitária, 2023

Installation Site Specific, Plastic tubes and electronic equipment

Variable dimensions
Photo credits: João Neves. Balcony Art Gallery courtesy

Prumada Parasitária, 2023

Installation Site Specific, Plastic tubes and electronic equipment

Variable dimensions
Photo credits: João Neves. Balcony Art Gallery courtesy

Prumada Parasitária, 2023

Installation Site Specific, Plastic tubes and electronic equipment

Variable dimensions
Photo credits: João Neves. Balcony Art Gallery courtesy

Ponto Zero (axioma da geratriz), 2022 / 2023

Expanded polyurethane, iron, electrical grounding cable, cement and lost molds

90x90x90cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Verdes anos (Evinel) #1, 2023

Glass-ceramic tablet on wood with frame

200x250cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Verdes anos (Evinel) #2, 2023

Glass-ceramic tablet on wood with frame

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Plan Américain, 2023

Exhibition View at Balcony Contemporary Art Gallery

Photo credits: João Neves. Balcony Art Gallery courtesy

Plan Américain, 2023

Exhibition View at Balcony Contemporary Art Gallery

Photo credits: João Neves. Balcony Art Gallery courtesy

Elevador (On air) // Contrails, 2023

Installation Site Specific, Inox, mirror, wood, lamps, sound equipment and signpost

230x140x140cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Elevador (On air) // Contrails, 2023

Installation Site Specific, Inox, mirror, wood, lamps, sound equipment and signpost

230x140x140cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Plan Américain, 2023

Exhibition View at Balcony Contemporary Art Gallery

Photo credits: João Neves. Balcony Art Gallery courtesy

Plan Américain, 2023

Exhibition View at Balcony Contemporary Art Gallery

Photo credits: João Neves. Balcony Art Gallery courtesy

Desvio padrão do algoritmo (ou linóleo paintings) #3, 2022 / 2023

Collage, painting and glazing on linoleum mounted on a wooden structure

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Desvio padrão do algoritmo (ou linóleo paintings) #4, 2022 / 2023

Collage, painting and glazing on linoleum mounted on a wooden structure

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Desvio padrão do algoritmo (ou linóleo paintings) #19, 2022 / 2023

Collage, painting and glazing on linoleum mounted on a wooden structure

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Desvio padrão do algoritmo (ou linóleo paintings) #5, 2022 / 2023

Collage, painting and glazing on linoleum mounted on a wooden structure

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Desvio padrão do algoritmo (ou linóleo paintings) #7, 2022 / 2023

Collage, painting and glazing on linoleum mounted on a wooden structure

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Desvio padrão do algoritmo (ou linóleo paintings) #21, 2022 / 2023

Collage, painting and glazing on linoleum mounted on a wooden structure

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Desvio padrão do algoritmo (ou linóleo paintings) #17, 2022 / 2023

Collage, painting and glazing on linoleum mounted on a wooden structure

200x150cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Plan Américain, 2023

Exhibition View at Balcony Contemporary Art Gallery

Photo credits: João Neves. Balcony Art Gallery courtesy

Personal Data #1, 2023

Painting on wooden cardboard, white aluminum frame and museum glass

105x75cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Personal Data #2, 2023

Painting on wooden cardboard, white aluminum frame and museum glass

105x75cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Punch card / Cartão Perfurado, 2021 / 2023

Painted card on frame intervened with museum glass

85x122cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Verdes anos (Evinel / Desenhos preparatórios #2), 2022

Collage on painted wooden board

75x105cm
Photo credits: João Neves. Balcony Art Gallery courtesy/p>

Verdes anos (Evinel / Desenhos preparatórios #1), 2022

Collage on painted wooden board

75x105cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Película / Plano Americano (dos verdes anos 1963), 2023

Ballpoint drawings on watercolor paper mounted in a black aluminum frame and translucent green plexiglass

212x30cm / 170x30cm
Photo credits: João Neves. Balcony Art Gallery courtesy

Balcony (A propos de l'unité), 2016-2022

Structure in polystyrene, cement and varnish paints, two bars of Marseille soap

75x250x6cm

Balcony (A propos de l'unité), 2016-2022

Structure in polystyrene, cement and varnish paints, two bars of Marseille soap

75x250x6cm

Balcony (A propos de l'unité), 2016-2022

Structure in polystyrene, cement and varnish paints, two bars of Marseille soap

75x250x6cm

Brasilia Drawings, 2022

Charcoal and graphite on cotton paper

Variable dimensions

Brasilia Drawings, 2022

Charcoal and graphite on cotton paper

Variable dimensions

Brasilia Drawings, 2022

Charcoal and graphite on cotton paper

Variable dimensions

Gaveta(s), 2021

Match boxes, acrylic paint, bedside table

The Bedside table project, variable dimensions

Gaveta(s), 2021

Match boxes, acrylic paint, bedside table

The Bedside table project, variable dimensions

Weissenhof Sidelung, 2020

Charcoal, graphite and color pencil on cotton paper

Variable dimensions

Weissenhof Sidelung, 2020

Charcoal, graphite and color pencil on cotton paper

Variable dimensions

Weissenhof Sidelung, 2020

Charcoal, graphite and color pencil on cotton paper

Variable dimensions

Sexo, escondidas e uma parede, 2019

Exhibition View at Filomena Soares Art Gallery

Sexo, escondidas e uma parede, 2019

Exhibition View at Filomena Soares Art Gallery

Postcard, (from Japan) #2, 2019

Watercolour, tempera and graphite over cardboard paper

105x75cm

Postcard, (from Japan) #2, 2019

Watercolour, tempera and graphite over cardboard paper

105x75cm

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Diabolos, 2016-2019

Iron, articulated axis, measuring cups in galvanized steel, enamel ink of several colours, electric wire and lights

Dimensions vary with the installation

Sexo, escondidas e uma parede, 2019

Exhibition View at Filomena Soares Art Gallery

Caixa Vermelha (Acesso Restrito), 2004

Metal box, acrylic paint and vinyl print

Variable dimensions

Sexo, escondidas e uma parede, 2019

Exhibition View at Filomena Soares Art Gallery

Sexo, escondidas e uma parede, 2019

Exhibition View at Filomena Soares Art Gallery

Entre quatro paredes, 2019

Watercolour, tempera and graphite over cardboard paper

75cmx52,5cm

Entre quatro paredes, 2019

Watercolour, tempera and graphite over cardboard paper

75cmx52,5cm

Transfer, 2018

Site-specific installation, wood, plastic, styrofoam, pigment, varnishes, paint, lighting device (tripod, lamp and electric wire).

Variable dimensions

Transfer, 2018

Site-specific installation, wood, plastic, styrofoam, pigment, varnishes, paint, lighting device (tripod, lamp and electric wire).

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Stripes, 2019

Acrylic paint and varnishes on papel, wood frame

Variable dimensions

Framing, (Between four walls #2), 2019

24 watercolour paintings on cardboard and paper, painted pins placed over painted, aged and sunburnt cork, painted wood frame, ink and varnish

202x220x10cm

Framing, (Between four walls #2), 2019

Watercolour paintings on cardboard and paper

42x29.7cm (each one)

Framing, (Between four walls #2), 2019

Watercolour paintings on cardboard and paper

42x29.7cm (each one)

Framing, (Between four walls #2), 2019

Watercolour paintings on cardboard and paper

42x29.7cm (each one)

Tin Can Complex, 2018

Concrete, cardboard, acrylic paint, wood and cans

100x80x12cm

Aligning the coordinates (general archive), 2018

From the series Searching for Utopia, photographic print, photocopies, drawings, labels, metallic pegs on wood and acrylic frame

180x120x8cm

Corollary of phenomena (Searching for a place), 2018

Drawings, metallic pegs, wood, acrilic, paint and varnishes

245x155x9cm

Corollary of phenomena (Searching for a place), 2018

Drawings, metallic pegs, wood, acrilic, paint and varnishes

245x155x9cm

Searching for Utopia (Brasília//Chandigarh), 2017

From the series Searching for Utopia, photographic print on foam board, stamp and oak frame

110x84x5cm

À l'importation, (Chandigarh Revisited), 2017

From the series Searching for Utopia, photographic print of images of chairs designed by Pierre Jeanneret for Chandigarh collected during 3 years, DHL Chandigarh business card, stamp and oak frame

84x70x5cm

Online Market, (Brasília Revisited), 2017

From the series Searching for Utopia, photographic print of images showing parts of the Volkswagen Brasilia on sale via internet and collected during 3 years in an effort to reconstruct the car, stamp and oak frame

84x185x5cm

Untitled (Traces captured at the Studio-Apartment Le Corbusier), 2017

From the series Searching for Utopia. Photographic print, wood frame and hand- painted acrylic

248x90x8cm

Untitled (Traces captured in Maison La Roche), 2017

From the series Searching for Utopia Photographic print, wood frame and hand-painted acrylic

120x136x8cm

Untitled (Traces captured in Villa Savoye), 2017

From the series Searching for Utopia. Photographic print, wood frame and hand-painted acrylic

220x90x8cm

Platform #1 (Model for a Cathedral), 2017

Wood, cement, metal structure, plastic and paint

120x75x100cm

Platform #1 (Model for a Cathedral), 2017

Wood, cement, metal structure, plastic and paint

120x75x100cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Compulsory course for a construction: Counterpoint (Observatory #3), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

550x80x50cm

Compulsory course for a construction: Counterpoint (Observatory #3), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

550x80x50cm

Compulsory course for a construction: Counterpoint (Observatory #2), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

790x60x150cm

Compulsory course for a construction: Counterpoint (Observatory #2), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

790x60x150cm

Compulsory course for a construction (Observatory #1), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

600x100x125cm

Compulsory course for a construction (Observatory #1), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

600x100x125cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Promenade (in absence of a place), (Observatory #6), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings

400x75x60cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Archive (Approximations and Processes without an apparent logic #1), 2013-2015

Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted wood, acrylic glass

119x52x39cm

Archive (Approximations and Processes without an apparent logic #1), 2013-2015

Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted wood, acrylic glass

119x52x39cm

Archive (Approximations and Processes without an apparent logic #1), 2013-2015

Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted wood, acrylic glass

119x52x39cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Cerimonial (Observatory #4), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood and gold-leaf

191x295x10cm

Cerimonial (Observatory #4), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood and gold-leaf

191x295x10cm

Cobogo for climbing (Observatory #5), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood

350x50x5cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Stairs that become a ramp and ramp that becomes useless stairs: trap door (Observatory #8), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

295x10x191cm

Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16

Dyed wood, articulated fittings

476x150cm

Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16

Dyed wood, articulated fittings

476x150cm

Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16

Dyed wood, articulated fittings

476x150cm

Compulsory course for a construction: Esplanade (Observatory #9), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015/16

Dyed wood, articulated fittings

476x150cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Caterpillar (Observatory #11), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings

50x30x74cm

Caterpillar (Observatory #11), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings

50x30x74cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

240x180x8cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

240x180x8cm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Compulsory course for a construction: adaptable boards (Observatory #12), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and inox

247x48x71cmm

Esplanada: Utopia on the Plateau and an Indian Brasilia, 2015-2016

Exhibition view at Filomena Soares Art Gallery

Parasitic (Observatory #10), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

626x30x40cm

Parasitic (Observatory #10), From the series “Dissociative processes and complex approaches for any city in state of entropy”, 2015-2016

Dyed wood, articulated fittings and mirrors

626x30x40cm

Inventory (Planned Cities), 2009-2015

Print vector drawing mounted on Fine Art paper, written text, metal rings kit, wood frame and acrylic glass

75x276x12cm

Inventory (Planned Cities), 2009-2015

Print vector drawing mounted on Fine Art paper, written text, metal rings kit, wood frame and acrylic glass

75x276x12cm

Inventory (Planned Cities), 2009-2015

Print vector drawing mounted on Fine Art paper, written text, metal rings kit, wood frame and acrylic glass

75x276x12cm

Spacial Directory (Tapisserie de la Grande Cour au Palais de Justice de Chandigarh, 1954, Le Corbusier), 2012-2016

Felt on acrylic frame

92x92x8cm

Archive (Approximations and Processes without an apparent logic #1), 2013-2015

Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted wood, acrylic glass

119x52x39cm

Archive (Approximations and Processes without an apparent logic #1), 2013-2015

Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted wood, acrylic glass

119x52x39cm

Archive (Approximations and Processes without an apparent logic #1), 2013-2015

Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted wood, acrylic glass

119x52x39cm

Archive (Approximations and Processes without an apparent logic #1), 2013-2015

Prints on paper (procedural images and documents from various sources and origins), photographs taken at different locations, diagrams and text in archiver carrying case, painted wood, acrylic glass

119x52x39cm

Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) nr2, 2014-2015

Foam, cement, polyurethane, glue and varnish

90x90x50cm

Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) nr3, 2014-2015

Styrofoam with cement, glue, plaster, paint and varnish

107x60x20cm

Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) no1, 2014-2015

Tarmac, gold leaf, varnish and support

107x60x20cm

Generatrix Axiom (searching for a zero point or the place of the first stone in the order of every slab) no4, 2014-2015

Styrofoam with cement, glue, plaster, paint and varnish

100x40x10cm

Square (Tangram), 2014-2015

Acrylic painting on wooden tangram board placed on street market table

170x85x88cm

Square (Tangram), 2014-2015

Acrylic painting on wooden tangram board placed on street market table

170x85x88cm

Drainage, 2015

Wood, foam and varnish

55x200x200cm

Drainage (detail), 2015

Wood, foam and varnish

55x200x200cm

Terrace, 2015

Wood, cardboard, cement, polyurethane foam and paint

40x170x100cm

Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

120x240x80cm

Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

120x240x80cm

Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

120x240x80cm

Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

120x240x80cm

Unité Ship (précisions sur un état present de l`architecture et de l`urbanisme), 2014-2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

120x240x80cm

Dismantled #1 (précisions sur un état present de l'architecture et de l'urbanisme), 2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

90x80x128cm

Dismantled #2 (précisions sur un état present de l'architecture et de l'urbanisme), 2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

90x80x140cm

Dismantled #1 and #2 (précisions sur un état present de l'architecture et de l'urbanisme), 2015

Wood, cardboard, cement, polyurethane foam, plexiglass and paint

90x80x128cm and 90x80x140cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm and 240x180x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

240x180x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm

Seeking Utopia (current state), 2014-2015

Photo printed on fine art paper, PVC, painted plexiglass and wooden frame

200x133x8cm

Condominium #6 (Story of a common place or the narrative of a given building), 2015

Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame

192x143x8cm

Condominium #4 (Story of a common place or the narrative of a given building), 2015

Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame

197x145x8cm

Condominium #5 (Story of a common place or the narrative of a given building), 2015

Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame

197x145x8cm

Condominium #3 (Story of a common place or the narrative of a given building), 2015

Plastic structure, plexiglass and enamel paint, cardboard construction and wooden frame

197x145x8cm

Afloat, 2015

Basalt

Installation view, Walk & Talk, Azores, 210x80x15cm

Afloat, 2015

Basalt

Installation view, Walk & Talk, Azores, 210x80x15cm

Afloat, 2015

Basalt

Installation view, Walk & Talk, Azores, 210x80x15cm

Afloat, 2015

Basalt

Installation view, Walk & Talk, Azores, 210x80x15cm

Afloat, 2015

Basalt

Installation view, Walk & Talk, Azores, 210x80x15cm

Afloat, 2015

Basalt

Installation view, Walk & Talk, Azores, 210x80x15cm

Afloat, 2015

Basalt

Installation view, Walk & Talk, Azores, 210x80x15cm

Tramas (detail), 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Tramas, 2011-2014

Metallic mesh, aluminium, enamel paint

190x130x5cm

Ninguém podia dormir na rede porque a casa não tinha parede (Transposições geográficas), 2013

Iron, steel cables, fabric collection, decal sticker letters

Dimensions vary with installation

Ninguém podia dormir na rede porque a casa não tinha parede (Transposições geográficas), 2013

Iron, steel cables, fabric collection, decal sticker letters

Dimensions vary with installation

Ninguém podia dormir na rede porque a casa não tinha parede (Transposições geográficas), 2013

Iron, steel cables, fabric collection, decal sticker letters

Dimensions vary with installation

Ninguém podia dormir na rede porque a casa não tinha parede (Transposições geográficas), 2013

Iron, steel cables, fabric collection, decal sticker letters

Dimensions vary with installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

Sem degraus À sombra, 2011

Site specific installation for the facade of the Modern Art Centre CAM - Calouste Gulbenkian, Lisbon Foundation Construction in lacquered metal, tippers and protection of “scaffolding” printed in various colors network

Dimensions vary with the installation

“The relative size of things in the universe and the effect of adding another zero” (spacial directory), 2013

Wooden frame and painted plexiglass

273x180x12cm

“The relative size of things in the universe and the effect of adding another zero” (spacial directory), 2013

Wooden frame and painted plexiglass

200x180x12cm

The relative size of things in the Universe and the effect of adding another zero, 2013

CAPC Coimbra, Exhibition View

The relative size of things in the Universe and the effect of adding another zero, 2013

CAPC Coimbra, Exhibition View

Avril au Portugal, 2008

Remix composed with 65 diferent versions of the music “Abril em Portugal” Sound instalation devices, CD 8'15", loop

The gap [between Civilization and Culture], 2006-2013

Expanded site-specific version, Cut vinyl words fixed on windows

Dimensions vary with instalation

The gap [between Civilization and Culture], 2006-2013

Expanded site-specific version, Cut vinyl words fixed on windows

Dimensions vary with instalation

The gap [between Civilization and Culture], 2006-20131

Expanded site-specific version, Cut vinyl words fixed on windows

Dimensions vary with instalation

The relative size of things in the Universe and the effect of adding another zero, 2013

CAPC Coimbra, Exhibition View

Square (Monopoly), 2005-2011

Acrylic paint painting on cardboard, black wood frame

50x50x5cm

Nobody Could Sleep in the Hammock Because the House Has No Wall Block, 2012

Installation in two parts: Metalic information board and plexy glass, 100x117x29cm

Metal structure, coloured plastic fabric and iron steel structure dimensions,130x150x10cm

Nobody Could Sleep in the Hammock Because the House Has No Wall Block, 2012

Installation in two parts: Metalic information board and plexy glass, 100x117x29cm

Metal structure, coloured plastic fabric and iron steel structure dimensions,130x150x10cm

The gap [between Civilization and Culture], 2013

Detail of the studio models in their glass displays

The gap [between Civilization and Culture], 2013

Detail of the studio models in their glass displays

The gap [between Civilization and Culture], 2013

Detail of the studio models in their glass displays

The gap [between Civilization and Culture], 2013

Detail of the studio models in their glass displays

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

110x90x15cm

Ca(ho)uses (detail), 2011

Match boxes, acrylic paint, wood structure and stretcher

110x90x15cm

La Cité Radieuse, 2011

Match boxes, acrylic paint, wood structure and stretcher

170x260x35cm

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

170x180x35cm

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Seaside Phalanstery and a few Villas facing the south, 2012

Filomena Soares Art Gallery, Lisbon, Exhibition View

Seaside Phalanstery and a few Villas facing the south, 2012

Filomena Soares Art Gallery, Lisbon, Exhibition View

Seaside Phalanstery and a few Villas facing the south, 2012

Filomena Soares Art Gallery, Lisbon, Exhibition View

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Seaside Phalanstery and a few Villas facing the south, 2012

Filomena Soares Art Gallery, Lisbon, Exhibition View

Seaside Phalanstery and a few Villas facing the south, 2012

Filomena Soares Art Gallery, Lisbon, Exhibition View

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Spacial Directory,2012

Felt and cardboard on acrylic frame

Variable dimensions

Uma Pedra no Sapato, 2012, *A little stone inside the shoe/ A thorn in the side (in Portuguese and Brazilian culture that idiomatic expression means a problem to solve)

Marble, plastic flip flop strips

30x8cm (each one)

Uma Pedra no Sapato, 2012, *A little stone inside the shoe/ A thorn in the side (in Portuguese and Brazilian culture that idiomatic expression means a problem to solve)

Marble, plastic flip flop strips

30x8cm (each one)

Located Intervention (Einstein House 90º), (Einstein House, Caputh, Berlin, Germany), 2012

Intervention on appropriated image from Einstein's House Digital, Durst Lambda print framed on a wooden frame

Diptych: 94,5x73,5x7cm (each one)

Located Intervention (Einstein House 90º), (Einstein House, Caputh, Berlin, Germany), 2012

Intervention on appropriated image from Einstein's House Digital, Durst Lambda print framed on a wooden frame

Diptych: 94,5x73,5x7cm (each one)

Located Intervention (Einstein House 90º), (Einstein House, Caputh, Berlin, Germany), 2012

Intervention on appropriated image from Einstein's House Digital, Durst Lambda print framed on a wooden frame

Diptych: 94,5x73,5x7cm (each one)

¿Con Cuántas Piedras se Hace una Balsa?, 2012

Installation view

Variable Dimensions

¿Con Cuántas Piedras se Hace una Balsa?, 2012

Installation view

Variable Dimensions

¿Con Cuántas Piedras se Hace una Balsa?, 2012

Installation view

Variable Dimensions

¿Con Cuántas Piedras se Hace una Balsa?, 2012

Installation view

Variable Dimensions

Under the Sun, 2012-2014

Plaster and ink

Dimension variable

Under the Sun, 2012-2014

Plaster and ink

Dimension variable

Toros, 2012-2014

Installation View

Toros, 2012-2014

Burned matches on wooden board, varnish

200x185x5cm

Toros, 2012-2014

Burned matches on wooden board, varnish

200x185x5cm

Toros, 2012-2014

Burned matches on wooden board, varnish

200x185x5cm

On the other side of the World, 2011

From Garimpos (Geostrategical Position) series, Photography

115x122x6cm

Garimpos (Geostrategical position), 2011

Acrylic and gold leaf on a collected piece of wood

Dimensions and number of pieces vary with installation, 79x64x10cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Squaring the circle (Battlefields, Geostrategical Position), 2009-2011

Acrylic painting on wooden chessboards placed on street market table

90x43,5x43,5cm (each one)

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses (detail), 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses (detail), 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses (detail), 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses (detail), 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses (detail), 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Ca(ho)uses, 2011

Match boxes, acrylic paint, wood structure and stretcher

Variable dimensions

Facade [Luxalon], 2011

Metal grid, acrylic box, mirrored acrylic and enamel paint

190x250x18cm

Facade [Luxalon], 2011

Metal grid, acrylic box, mirrored acrylic and enamel paint

190x250x18cm

Facade [Luxalon], 2011

Metal grid, acrylic box, mirrored acrylic and enamel paint

190x250x18cm

Facade [Luxalon], 2011

Metal grid, acrylic box, mirrored acrylic and enamel paint

190x250x18cm

Reveillon, 2011

ART AT THE TURN OF MILLENNIUM, 1999-2000 (Taschen books), Book transformed into confetti

Dimensions vary with installation

Reveillon, 2011

ART AT THE TURN OF MILLENNIUM, 1999-2000 (Taschen books), Book transformed into confetti

Dimensions vary with installation

Reveillon, 2011

ART AT THE TURN OF MILLENNIUM, 1999-2000 (Taschen books), Book transformed into confetti

Dimensions vary with installation

The first stone (and all of the rest), 2011

Instalation, cardboard corners, metal structure, enamel paint of various colours, metal screws and inscriptions

Dimensions vary with the installation

The first stone (and all of the rest), 2011

Instalation, cardboard corners, metal structure, enamel paint of various colours, metal screws and inscriptions

Dimensions vary with the installation

The first stone (and all of the rest), 2011

Instalation, cardboard corners, metal structure, enamel paint of various colours, metal screws and inscriptions

Dimensions vary with the installation

The first stone (and all of the rest), 2011

Instalation, cardboard corners, metal structure, enamel paint of various colours, metal screws and inscriptions

Dimensions vary with the installation

The first stone (and all of the rest), 2011

Instalation, cardboard corners, metal structure, enamel paint of various colours, metal screws and inscriptions

Dimensions vary with the installation

The first stone (and all of the rest), 2011

Instalation, cardboard corners, metal structure, enamel paint of various colours, metal screws and inscriptions

Dimensions vary with the installation

The first stone (and all of the rest), 2011

Instalation, cardboard corners, metal structure, enamel paint of various colours, metal screws and inscriptions

Dimensions vary with the installation

The first stone (and all of the rest), 2011

MNAC, Lisbon

Installation View

The first stone (and all of the rest), 2011

MNAC, Lisbon

Installation View

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Square [Monopoly], 2005-2011

Acrylic paint painting on cardboard, black wood frame

50x50x5cm

Square [Monopoly], 2005-2011

Acrylic paint painting on cardboard, black wood frame

50x50x5cm

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Square [Monopoly], 2005-2011

Acrylic paint painting on cardboard, black wood frame

50x50x5cm

Square [Monopoly], 2005-2011

Acrylic paint painting on cardboard, black wood frame

50x50x5cm

Square [Monopoly], 2005-2011

Acrylic paint painting on cardboard, black wood frame

50x50x5cm

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Square [Monopoly], 2005-2011

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Ninguém podia dormir na rede porque a casa não tinha Parede, 2010

Filomena Soares Arte Gallery, Lisbon, Exhibition View

Blindex (1535-143 AD), 2010

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Blindex (1535-143 AD), 2010

Centro de Artes e Cultura de Ponte de Sôr, Exhibition View

Ninguém podia dormir na rede porque a casa não tinha Parede, 2010

Filomena Soares Arte Gallery, Lisbon, Exhibition View

Ninguém podia dormir na rede porque a casa não tinha Parede, 2010

Filomena Soares Arte Gallery, Lisbon, Exhibition View

Capanema, 2010

Installation in two parts: Metal structure, bascule system, handgrips, colored plastic fabric

Dimensions vary with the installation of the 14 modules, 300x100x6cm (each one)

Capanema, 2010

Installation in two parts: Metal structure, bascule system, handgrips, colored plastic fabric

Dimensions vary with the installation of the 14 modules, 300x100x6cm (each one)

Ninguém podia dormir na rede porque a casa não tinha Parede, 2010

Filomena Soares Arte Gallery, Lisbon, Exhibition View

Ninguém podia dormir na rede porque a casa não tinha Parede, 2010

Filomena Soares Arte Gallery, Lisbon, Exhibition View

Facade (concrete construtions) #2, #3, 2010

Acrylic box, opaque acrylic paint and aluminum structure

140x180x12cm

Ninguém podia dormir na rede porque a casa não tinha Parede, 2010

Filomena Soares Arte Gallery, Lisbon, Exhibition View

Each House is Case (General File), 2010

Match boxes, acrylic paint, wood structure and stretcher

170x180x35cm

Complexo, 2010

Exhibition View

Complexo, 2010

Display boards made of wood, aluminium, cork and felt ink, engraved metal plaques

Variable dimensions

Complexo, 2010

Display boards made of wood, aluminium, cork and felt ink, engraved metal plaques

Variable dimensions

Complexo, 2010

Display boards made of wood, aluminium, cork and felt ink, engraved metal plaques

Variable dimensions

Complexo, 2010

Display boards made of wood, aluminium, cork and felt ink, engraved metal plaques

Variable dimensions

Complexo, 2010

Display boards made of wood, aluminium, cork and felt ink, engraved metal plaques

Variable dimensions

Complexo, 2010

Display boards made of wood, aluminium, cork and felt ink, engraved metal plaques

Variable dimensions

Complexo, 2010

Display boards made of wood, aluminium, cork and felt ink, engraved metal plaques

Variable dimensions

27092, 27093, 27094, 27095 (services communautaires), 2008

Exhibition View

27092, 27093, 27094, 27095 (services communautaires), 2008

Exhibition View

27092, 27093, 27094, 27095 (services communautaires), 2008

Wooden frame, drawing sunburned on cork, colored pushpins, glass and lock

120x87x8cm

27092, 27093, 27094, 27095 (services communautaires), 2008

Exhibition View

27092, 27093, 27094, 27095 (services communautaires), 2008

Wooden frame, drawing sunburned on cork, colored pushpins, glass and lock

120x87x8cm

27092, 27093, 27094, 27095 (services communautaires), 2008

Wooden frame, drawing sunburned on cork, colored pushpins, glass and lock

120x87x8cm

27092, 27093, 27094, 27095 (services communautaires), 2008

Wooden frame, drawing sunburned on cork, colored pushpins, glass and lock

120x87x8cm

From Work To Text, 2008-2011

Collage on fabriano paper, acrylic resin

Variable Dimensions

From Work To Text, 2008-2011

Collage on fabriano paper, acrylic resin

Variable Dimensions

From Work To Text, 2008-2011

Collage on fabriano paper, acrylic resin

Variable Dimensions

From Work To Text, 2008-2011

Collage on fabriano paper, acrylic resin

Variable Dimensions

WE CANNOT ESCAPE FROM EACH OTHER, 2010

Mirrored acrylic engraved with bas-relief with inscriptions and filled with epoxy resin and dyes, electric installation

Site-specific installation view at Lux, Lisbon, 1500x300x8cm

WE CANNOT ESCAPE FROM EACH OTHER, 2010

Mirrored acrylic engraved with bas-relief with inscriptions and filled with epoxy resin and dyes, electric installation

Site-specific installation view at Lux, Lisbon, 1500x300x8cm

Border Zone [Geostrategical Positions], 2010

Painting on a trailer

300x240x290cm

Border Zone [Geostrategical Positions], 2010

Painting on a trailer

300x240x290cm

Border Zone [Geostrategical Positions] (detail), 2010

Painting on a trailer

300x240x290cm

(Im)perfect Territories, 2010

Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel

Dimensions vary with the installation

(Im)perfect Territories, 2010

Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel

Dimensions vary with the installation

(Im)perfect Territories, 2010

Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel

Dimensions vary with the installation

(Im)perfect Territories, 2010

Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel

Dimensions vary with the installation

(Im)perfect Territories, 2010

Site-specific installation at the Teatro Municipal de Almada. Oil tar and white ink on wood, electric poles, gravel

Dimensions vary with the installation

Tatlin's Monument in a palatial kitchen, 2010 (From the series Utopia at everyones house)

Photographic print on a light box

202x122x20cm

Tatlin's Monument in a palatial kitchen, 2010 (From the series Utopia at everyones house)

Photographic print on a light box

202x122x20cm

Today & Now, 2009

ART TODAY (Phaidon) and ARTNOW (Taschen) transformed into diamond shapped confetti

Dimensions vary with installation

Today & Now, 2009

ART TODAY (Phaidon) and ARTNOW (Taschen) transformed into diamond shapped confetti

Dimensions vary with installation

Today & Now, 2009

ART TODAY (Phaidon) and ARTNOW (Taschen) transformed into diamond shapped confetti

Dimensions vary with installation

Facade #9 (black grid series), 2009

Print, cut and collage on k-line and mirror, black wood frame

140x175cm

Facade #1, 2008

Print, cut and collage on k-line and mirror, silver frame

196x146cm

Facade #3, 2008

Print, cut and collage on k-line and mirror, silver frame

196x146cm

Facade #4, 2008

Print, cut and collage on k-line and mirror, silver frame

196x146cm

STP Extension, 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension, 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension, 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension, 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension, 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension (detail), 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension (detail), 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension (detail), 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

STP Extension (detail), 2008

Pre-existing garden shed altered with painted wood and electric lights

Variable dimensions

Complex Constructions(Geography of the House), 2009

Drawing printed on photoluminescent emergency plan board

Variable dimensions

Complex Constructions(Geography of the House), 2009

Drawing printed on photoluminescent emergency plan board

Variable dimensions

Complex Constructions(Geography of the House), 2009

Drawing printed on photoluminescent emergency plan board

Variable dimensions

Complex Constructions(Geography of the House), 2009

Drawing printed on photoluminescent emergency plan board

Variable dimensions

Complex Constructions(Geography of the House), 2009

Drawing printed on photoluminescent emergency plan board

Variable dimensions

Space to fill, 2007

Exhibition View

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Space to fill, 2007

Photographies attached to the cork or felt message board with small pins. Each of these pins corresponds to the location of a star in space and is a kind of territorial marking of an imaginary geography

Dimensions and materials variable according to each photography

Xerox print (DIN), 2007

Exhibition View

Xerox print (DIN), 2007

Print on paper in white wood frame

118,9x84,1x5cm

Metro, 2007

Meter containing a meter, print on paper in white wood frame

118,9x40,1x5cm

Complex Constructions(Geography of the House), 2007

Exhibition view

Complex Constructions(Geography of the House), 2007

Exhibition view

Complex Constructions(Geography of the House), 2007

Drawing printed on photoluminescent emergency plan board

90x60cm/60x40cm/40x30cm

Complex Constructions(Geography of the House), 2007

Drawing printed on photoluminescent emergency plan board

90x60cm/60x40cm/40x30cm

Complex Constructions(Geography of the House), 2007

Drawing printed on photoluminescent emergency plan board

90x60cm/60x40cm/40x30cm

Complex Constructions(Geography of the House), 2007

Drawing printed on photoluminescent emergency plan board

90x60cm/60x40cm/40x30cm

Complex Constructions(Geography of the House), 2007

Drawing printed on photoluminescent emergency plan board

90x60cm/60x40cm/40x30cm

Complex Constructions(Geography of the House), 2007

Drawing printed on photoluminescent emergency plan board

90x60cm/60x40cm/40x30cm

We could be in this together, 2007

Stainless steel lock with engravings

Height of the artist, 175cm

We could be in this together (detail), 2007

Stainless steel lock with engravings

Height of the artist, 175cm

We could be in this together (detail), 2007

Stainless steel lock with engravings

Height of the artist, 175cm

We are in this together, 2007

18-carat gold wedding bands with engraving (13,1 g)

4,2x2,3x0,5cm

Eurobuzz, 2007

Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars

Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses

Eurobuzz, 2007

Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars

Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses

Eurobuzz, 2007

Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars

Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses

Eurobuzz, 2007

Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars

Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses

Eurobuzz, 2007

Two articulated buses, bus harmonic junction, blue and yellow photoluminescent vinyl stickers cut in the shapes of stars

Installed at Place de la Chapelle, Brussels, Belgium. Ephemeral public art project, dimensions vary according to the buses

Absent Places [Drought], 2007

Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard

300x300x140cm

Absent Places [Drought], 2007

Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard

300x300x140cm

Absent Places [Drought], 2007

Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard

300x300x140cm

Absent Places [Drought] (detail), 2007

Construction made with more than 150,000 straws, grouped and melted to form an organic landscape, plastic straws, resin, wood and cardboard

300x300x140cm

Metropolis, 2006-2007

Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular construction)

230x210x220 (composed of 6 mobile, articulating parts)

Metropolis (detail), 2006-2007

Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular construction)

230x210x220 (composed of 6 mobile, articulating parts)

Metropolis, 2006-2007

Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular construction)

230x210x220 (composed of 6 mobile, articulating parts)

Metropolis, 2006-2007

Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular construction)

230x210x220 (composed of 6 mobile, articulating parts)

Metropolis (detail), 2006-2007

Construction made with sugar cubes built according to models used in English architecture. Prototype tested with Tate sugar, +150 kg sugar, glue and wood (dismantleable modular construction)

230x210x220 (composed of 6 mobile, articulating parts)

Iberian Guggenheim Marmitex (accidented sculpture #1), 2006

Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering its shape through time. Composed by 6 mobile parts

620x286x355cm

Iberian Guggenheim Marmitex (accidented sculpture #1), 2006

Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering its shape through time. Composed by 6 mobile parts

620x286x355cm

Iberian Guggenheim Marmitex (accidented sculpture #1) (detail), 2006

Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering its shape through time. Composed by 6 mobile parts

620x286x355cm

Iberian Guggenheim Marmitex (accidented sculpture #1), 2006

Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering its shape through time. Composed by 6 mobile parts

620x286x355cm

Iberian Guggenheim Marmitex (accidented sculpture #1) (detail), 2006

Sculpture based on Frank Ghery's initial drawings for Bilbao`s Guggenheim Museum, made of aluminium foil trays, wood, glue, tin foil. The sculpture is smashed and crumpled, altering its shape through time. Composed by 6 mobile parts

620x286x355cm

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Remote Places #2 (Tomaz Kramberger & Rodrigo Oliveira in collaboration), 2006

Wooden and and metall light switch displaid on Susak island's main bay and fairy lights with primary. coloured light bulbs in the upper town. Switching on and off frequently creating a Mediterranean folk fiesta

Site and context specific installation for Susak Expo, Croatia. Light switch 400 x 400 x 150 cm, fairy lights 50m

Collapse, (inflammable sculpture #2), 2005

Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support

200x100x120cm

Collapse, (inflammable sculpture #2), 2005

Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support

200x100x120cm

Collapse, (inflammable sculpture #2), 2005

Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support

200x100x120cm

Collapse, (inflammable sculpture #2), 2005

Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support

200x100x120cm

Collapse, (inflammable sculpture #2), 2005

Model of an office building made with match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, Dust, painted wood support

200x100x120cm

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Embargo, (Clandestine 1#2#3#4), 2005

Installation formed by 4 sculptures, wood and cardboard

Dimensions vary with the installation

Perigo Eminente, 2005

Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support

200x100x120cm

Perigo Eminente, 2005

Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support

200x100x120cm

Perigo Eminente, 2005

Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support

200x100x120cm

Perigo Eminente, 2005

Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support

200x100x120cm

Perigo Eminente (detail), 2005

Match boxes, burnt matches, burned inflammable materials, ashes, cardboard, fire extinguisher, dust, painted wood support

200x100x120cm

Warehouse [Restricted access], 2003

Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls

Installation at Filomena Soares art gallery, variable dimensions

Warehouse [Restricted access], 2003

Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls

Installation at Filomena Soares art gallery, variable dimensions

Warehouse [Restricted access], 2003

Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls

Installation at Filomena Soares art gallery, variable dimensions

Warehouse [Restricted access], 2003

Door, warning signal, fire extinguisher, smoke machine, with timer, fake walls, moving walls

Installation at Filomena Soares art gallery, variable dimensions

Portico, 2003

Aluminium letters displayed on the facade of the entrance to the car park, modified lighting

5th edition of Maia Biennal, variable dimensions

Portico, 2003

Aluminium letters displayed on the facade of the entrance to the car park, modified lighting

5th edition of Maia Biennal, variable dimensions

Portico, 2003

Aluminium letters displayed on the facade of the entrance to the car park, modified lighting

5th edition of Maia Biennal, variable dimensions